This is one of Debussy’s most popular pieces. “Prelude to the Afternoon of a Faun.”
Impressionist music was often dreamy in nature and this piece fits right in that category. The dreamy quality of the melody is achieved using the whole tone scale. Whole tones on guitar are achieved by skipping on fret each time you advance on the neck. On piano you would skip one key(whether black or white.) There are only two whole tone scales….think about it???
Debussy achieves the lush sonority with his orchestration in the strings and his use of tall chords…chords with extensions, 9, 11, 13s etc. The sound of the harp also adds to the piece’s calmness.
The video again has an amazing animated score which may visually help you enjoy the music so try and follow along!
The blues scale is a great way for beginners to start improvising and an integral scale for all guitarists to have in their musical tool box. It is versatile and a bit forgiving in that it is basically a five note pentatonic scale with the added ‘blues’ note…the #4.
It’s easy to know which key to use the blues scale for a minor key. If you’re in A minor you play A minor blues, E minor-E blues…etc.
What is not so obvious is which major key to use the blues scale. Unless you are playing a straight ahead blues you can’t really use the same theory…G major= G blues, etc.
The answer lies with the ‘relative minor’ key. The relative minor is 3 half steps below the root of the major key. So the relative minor of C major is A minor. G major is E minor.
Once you know which relative minor you can rip away.
Here is a list of Major keys and their relative minors commonly used in guitar. A cheat sheet to get you started, but, you will NEED to know these intimately as part of your music theory repertoire!
Major key / Relative minor key(where to use your blues scale)
Click here for more practice tips.